heidi: (Fair Use)
I've been dealing this week with annoying dentistry, weirdly scheduled PTSA meetings, clients whose credit cards are not appreciated by the PTO website and the fun of trying to figure out what type of entity to be for INTA next year, and, of course, re-reading reviews of Philosopher's Stone that were posted in FictionAlley Park a year ago today (well, a year ago this month as some people saw it early) but I needed to take a few minutes today to address the SOPA act that's currently being debated* in committee in Congress, for clients, and in a post that's going up on FictionAlley this afternoon.

This is a slightly revised version of that post (Updated on November 17, 2011):

You may have seen this image on the internet today:



And you may wonder why a site like FictionAlley cares about an act designed to stop piracy; FictionAlley doesn't allow links to downloads of the Harry Potter books or films!

But the thing is, the "Stop Internet Piracy Act" is written in such a way that it gives any owner of any copyright, trademark right, right of publicity or other intellectual property rights the ability to shut down a site's ability to accept donations made via credit card companies, PayPal or Amazon, or bar a site from hosting Google or Groupon ads or being part of the WBShop or Amazon Affiliate programs just because they think that one icon, one User Profile, one piece of fanart, one fanvid or one fanfic infringes on their content - regardless of whether that story, icon, vid or art is transformative, or created pursuant to fair use.

"Fair use is a lawful use of copyright." That's what the Northern District of California said in Lenz v. Universal Music back in 2008. So much of what we do on fansites - from the discussions and reviews to art and fic and vids we host and link to - is fair use, but there's no Fair Use provision in SOPA.

"Think about this for a second: think how many bogus DMCA takedown notices are sent by copyright holders to take down content they don't like," writes TechDirt's Mike Masnick. "With this new bill, should it become law, those same copyright holders will be able to cut off advertising and payment processing to such sites. Without court review."

Donations are vital to fansites; if they can't accept financial support from users and visitors, many will not be able to keep the site online; it costs between $20 and $1000 per month for servers at fansites of various sizes. Ads are vital to other sites - Googleads, the BlogHer network, store associateships, etc.

If SOPA passes, and one copyright-holder who doesn't agree with the law of Fair Use complains to PayPal or Google or Amazon, it is likely that at least some sites will lose the ability to accept donations from users like you, and many will be unable to use ad revenue to keep the sites online.

And fandom-run sites are just a small portion of the internet, in the grand scheme of things. YouTube hosts fanvids, parodies and reviews, Tumblr and LiveJournal host every type of content that can be created, and Google links to everything. One person can choose to abuse the provisions of SOPA and damage each of those sites for everyone - or the sites themselves may curtail certain services, or limit what they allow people to share, discuss and distribute.

That's not an Internet that any of us would recognize.

If you live in the US, please send a letter to your Representative, or click here to visit the EFF's website and have an email automatically sent to your representative.

*Not the right word when only one of the six entities testifying before Congress is an Internet-purposed company!

ETA: More discussion here; this post is also on Tumblr.


Creative Commons License Feel free to use any of this on your own LJ/DW/Blog and link back if you wish (but it's not necessary).
heidi: (Fair Use)
I've been dealing this week with annoying dentistry, weirdly scheduled PTSA meetings, clients whose credit cards are not appreciated by the PTO website and the fun of trying to figure out what type of entity to be for INTA next year, and, of course, re-reading reviews of Philosopher's Stone that were posted in FictionAlley Park a year ago today (well, a year ago this month as some people saw it early) but I needed to take a few minutes today to address the SOPA act that's currently being debated* in committee in Congress, for clients, and in a post that's going up on FictionAlley this afternoon.

This is a slightly revised version of that post (Updated on November 17, 2011):

You may have seen this image on the internet today:



And you may wonder why a site like FictionAlley cares about an act designed to stop piracy; FictionAlley doesn't allow links to downloads of the Harry Potter books or films!

But the thing is, the "Stop Internet Piracy Act" is written in such a way that it gives any owner of any copyright, trademark right, right of publicity or other intellectual property rights the ability to shut down a site's ability to accept donations made via credit card companies, PayPal or Amazon, or bar a site from hosting Google or Groupon ads or being part of the WBShop or Amazon Affiliate programs just because they think that one icon, one User Profile, one piece of fanart, one fanvid or one fanfic infringes on their content - regardless of whether that story, icon, vid or art is transformative, or created pursuant to fair use.

"Fair use is a lawful use of copyright." That's what the Northern District of California said in Lenz v. Universal Music back in 2008. So much of what we do on fansites - from the discussions and reviews to art and fic and vids we host and link to - is fair use, but there's no Fair Use provision in SOPA.

"Think about this for a second: think how many bogus DMCA takedown notices are sent by copyright holders to take down content they don't like," writes TechDirt's Mike Masnick. "With this new bill, should it become law, those same copyright holders will be able to cut off advertising and payment processing to such sites. Without court review."

Donations are vital to fansites; if they can't accept financial support from users and visitors, many will not be able to keep the site online; it costs between $20 and $1000 per month for servers at fansites of various sizes. Ads are vital to other sites - Googleads, the BlogHer network, store associateships, etc.

If SOPA passes, and one copyright-holder who doesn't agree with the law of Fair Use complains to PayPal or Google or Amazon, it is likely that at least some sites will lose the ability to accept donations from users like you, and many will be unable to use ad revenue to keep the sites online.

And fandom-run sites are just a small portion of the internet, in the grand scheme of things. YouTube hosts fanvids, parodies and reviews, Tumblr and LiveJournal host every type of content that can be created, and Google links to everything. One person can choose to abuse the provisions of SOPA and damage each of those sites for everyone - or the sites themselves may curtail certain services, or limit what they allow people to share, discuss and distribute.

That's not an Internet that any of us would recognize.

If you live in the US, please send a letter to your Representative, or click here to visit the EFF's website and have an email automatically sent to your representative.

*Not the right word when only one of the six entities testifying before Congress is an Internet-purposed company!

ETA: More discussion here; this post is also on Tumblr.


Creative Commons License Feel free to use any of this on your own LJ/DW/Blog and link back if you wish (but it's not necessary).

Stop SOPA

Nov. 16th, 2011 03:15 pm
heidi: (Fair Use)
I've been dealing this week with annoying dentistry, weirdly scheduled PTSA meetings, clients whose credit cards are not appreciated by the PTO website and the fun of trying to figure out what type of entity to be for INTA next year, and, of course, re-reading reviews of Philosopher's Stone that were posted in FictionAlley Park a year ago today (well, a year ago this month as some people saw it early) but I needed to take a few minutes today to address the SOPA act that's currently being debated* in committee in Congress, for clients, and in a post that's going up on FictionAlley this afternoon.

This is a slightly revised version of that post:

You may have seen this image on the internet today:



And you may wonder why a site like FictionAlley cares about an act designed to stop piracy; FictionAlley doesn't allow links to downloads of the Harry Potter books or films!

But the thing is, the "Stop Internet Piracy Act" is written in such a way that it gives any owner of any copyright, trademark right, right of publicity or other intellectual property rights the ability to shut down a site's ability to accept donations made via credit card companies, PayPal or Amazon, or bar a site from hosting Google or Groupon ads or being part of the WBShop or Amazon Affiliate programs just because they think that one icon, one User Profile, one piece of fanart, one fanvid or one fanfic infringes on their content - regardless of whether that story, icon, vid or art is transformative, or created pursuant to fair use.

"Fair use is a lawful use of copyright." That's what the Northern District of California said in Lenz v. Universal Music back in 2008. So much of what we do on fansites - from the discussions and reviews to art and fic and vids we host and link to - is fair use, but there's no Fair Use provision in SOPA.

"Think about this for a second: think how many bogus DMCA takedown notices are sent by copyright holders to take down content they don't like," writes TechDirt's Mike Masnick. "With this new bill, should it become law, those same copyright holders will be able to cut off advertising and payment processing to such sites. Without court review."

If we can't accept donations from FictionAlley's users and visitors, we won't be able to keep the site online; it costs about $3000 per year to cover our servers, domain names and other related expenses, and we appreciate all the help you give us in covering those costs. If SOPA passes, and one copyright-holder who doesn't agree with the law of Fair Use complains to PayPal or Google or Amazon, we may lose the ability to accept donations from users like you.

And we're just a little site in the grand scheme of things. YouTube hosts fanvids, parodies and reviews, Tumblr and LiveJournal host every type of content that can be created, and Google links to everything. One person can choose to abuse the provisions of SOPA and damage each of those sites for everyone - or the sites themselves may curtail certain services, or limit what they allow people to share, discuss and distribute.

That's not an Internet that any of us would recognize.

If you live in the US, please send a letter to your Representative, or click here to visit the EFF's website and have an email automatically sent to your representative.

*Not the right word when only one of the six entities testifying before Congress is an Internet-purposed company!
heidi: (legally)
Today's New York Times has an article about D.J. Girl Talk, whose real name is Gregg Gillis, and whose new album is one of the first mainstream releases to claim fair use in his new album “Feed the Animals,” which he released online at illegalart.net earlier this summer.

As the article says, he doesn't pay for use of the clips that he incorporates into his songs because "he maintains that the brief snippets he works with are covered by copyright law’s 'fair use' principle."

In legal terms a musician who uses parts of other compositions creates what copyright law calls a derivative work, so the permission of the original song’s writer or current copyright holder is needed. Artists who sample a recording also need permission from the owner, in most cases the record label. Hip-hop artists who don’t get that permission have been sued, often successfully.

Mr. Gillis says his samples fall under fair use, which provides an exemption to copyright law under certain circumstances. Fair use allows book reviewers to quote from novels or online music reviewers to use short clips of songs. Because his samples are short, and his music sounds so little like the songs he takes from that it is unlikely to affect their sales, Mr. Gillis contends he should be covered under fair use.

He said he had never been threatened with a lawsuit, although both iTunes and a CD distributor stopped carrying his last album, “Night Ripper,” because of legal concerns. (It had sold 20,000 copies before then, according to Nielsen SoundScan.) It may not be in the interests of labels or artists to sue Mr. Gillis, because such a move would risk a precedent-setting judgment in his favor, not to mention incur bad publicity.


This dovetails with recent and on-going discussions within fandom because some IP lawyers believe that this sort of creativity isn't what fair use is supposed to incorporate. BArry Slotnick of Loeb & Loeb was quoted in the article as saying, “Fair use is a means to allow people to comment on a pre-existing work, not a means to allow someone to take a pre-existing work and recreate it into their own work..."

I think the article would've been more comprehensive had they actually obtained a quote from an attorney who believes otherwise. For example, I believe that Mr Slotnick is personally setting a limit on Fair Use that goes far beyond what the courts have set - there's nothing in federal copyright law that says that commenting on a pre-existing work is limited as to type or genre. The courts haven't said that commenting on a prior work has to take a certain form or mode, and any sort of commenting has to be a part of the second writer's own creation.

I think one of the most interesting lines in the article is the notation that if a label or artist sued Mr Gillis, it would "risk a precedent-setting judgment". I think that's an important and accurate acknowledgment that there is a significant risk to TPTB if they took action against fan-creativity, whether it's musical, fictional, artistic or otherwise. They're relatively safe when all they do is send out cease and desist letters - people generally either cease, or they talk back and explain the legal reasons why they shouldn't have to, but neither act creates a court decision and thus neither act creates precedent - and I've never seen a fan seek declaratory judgment that they are non-infringing, although one could do so after getting a C&D letter.

In other words, neither side wants something precedent-setting to happen because there's a significant risk that a court decision could limit Fair Use beyond what has been allowed by the courts up 'til this point, or, on the flip side, the courts could decide that commentary and criticism of the source-work justify allowing such commentary and criticism to be wide-ranging and unrestricted by limitations on the type of media the comment/criticism can be created in, or setting a solid number of words or notes or brush-strokes.

Btw, does anyone know if Gillis lists all the works he sourced to create the album? I'm not seeing it on the website, but I can't tell if you can see it after you pay to DL the album.

Semi-related to this, [livejournal.com profile] morgandawn has posted a useful print-and-save guide to What You Can Do If You Get a Cease & Desist Letter. Read it now, and add it to your Memories in case you need it later. And I hope you don't!
heidi: (legally)
This is a drive-by posting - I had my 20th high school reunion last night, and ahave two birthday things today (including Catie's 3rd birthday dinner tonight) but I've seen a lot of people on my flist really fretful this weekend about that article about "proposed" "Orphaned Works" legislation, and I'm going to recommend you read this BoingBoing post about it:
There is no such legislation before Congress (there was a bill in 2006, but it was never voted on; Marybeth Peters of the Copyright Office recently spoke before a subcommittee, but that's not a bill), and Simon is flat-out wrong about every concern he raises.

[livejournal.com profile] maradydd has an extensive smack-down of the claims in the article here and [livejournal.com profile] kynn does a bit of a "follow the money" behind Simon's sources here. Did you know that the person quoted and named as the Copyright Office's General Counsel hasn't held that job since circa 2006?

No actual legal advice in the above, or in the comments. Just an FYI.

Oh, and if this doesn't interest you, check out this article about how fannish behaviours and activities are becoming "glam".
heidi: (JustMyType)
There was a lot of discussion this summer about stories about people who are "underage" engaging in sexual activity, and some nasty words were thrown at those who write about people under the age of 18 engaging in sexual activity, even where said people live in countries where it is (a) legal to engage in sexual activity when under the age of 18, or (b) legal to marry when under the age of 18, and (c) definitely legal to write about or draw *fictional* people under the age of 18 engaged in sexual activity.

But that's not what this post is about.

This post is about an article in Slate Magazine today on reasons as to why an age of consent exists, and reasons why it should be lowered, or at least the law should focus more on age disparity when all parties are over the age of 12, or over the age of 16.

Interesting food for thought, IMHO. I don't agree 100% with what the author is suggesting, but I think that there is definitely a need for the justice system to differentiate among situations where the parties are, say, 15 years apart, where there is a work- or school-generated power-imbalance, and where the parties are peers.
heidi: (Fairy Tale)
Supernatural and (omg what am I doing?) RPS!

Yes, you heard me. AI!RPS at that.

No! Don't run away! There's a reason I'm reccing it!

[livejournal.com profile] jlh has recently started posting a set-in-1962 Chris/Blake fic entitled Radio Friendly. Now, those of you who've read this LJ over the last x-number of years know that in my life, I've maybe watched one ep of AI. I only know who Chris and Blake are by reading the LJs of those on my flist who watched AI last year.

But I love stories set at the Brill building - I read my first one back in the 80s and it was a really bad, cheesy novel that I stole from my mom and clearly didn't understand all of, but since then, there's been the film Grace of My Heart and a few nonfiction articles, so it's a setup that I'm naturally drawn to, and it's [livejournal.com profile] jlh whose writing I generally enjoy, so sure I'll give this a try.

I'm reading this story as if it's an ebook, without giving much of any thought to the fact that it's actually RPS, and it's off to a terrific start! As [livejournal.com profile] jlh's author note says,
Radio Friendly is an AU set in 1962, when New York was the center of pop music and the Brill Building was where it all happened, when a group of talented songwriters and producers crafted perfect pop hits for artists whose every move was controlled by their label.

Basically, Blake and Chris are newly paired writing partners, and the story takes it from there. Even if you never read RPS, even if you never watch AI - this is a good story, and I recommend taking a peek at it.

And the SPN rec - Levels of Achievement by [livejournal.com profile] gwendolyngrace (Gen.). Dean Winchester vs the SAT's. Now, I love smart!Dean, and Gwen's done a wonderful job of showcasing this, in tandem with Dean's very mixed up sense of self-esteem and self-worth.

ETA And just after I posted this, [livejournal.com profile] sabaceanbabe posted the first part of a long-form Heroes fic that I just had to give a quick squee about because it presupposes a family-relationship theory that I love, regardless of whether it turns out to be Heroes-canon or not. Take a peek at Lord of the Rats.


In non-fiction news, I posted to [livejournal.com profile] fandom_lawyers this morning about an interesting article in the NY Times that quoted a VP at Viacom as saying, “Our audiences can creatively mash video from our content as much and as often as they like..." Analysis and discussion of mash, fair use, vidding etc. over on F_L, so please join in!
heidi: (legally)
I get a Yahoo news alert each day for any news stories that include the words "fanfiction", "fanfic" or "fan fiction", and an interesting "story" showed up today.

It seems that Fox Television Stations, Inc. are in the process of updating the Terms of Use for their websites, and the Atlanta station's TOU update somehow twigged Yahoo's "news" system.

Two clauses that seem to be new are:
You are also strictly prohibited from creating works or materials that derive from or are based on the materials contained in this Site including, without limitation, fonts, icons, link buttons, wallpaper, desktop themes, on-line postcards and greeting cards and unlicensed merchandise. This prohibition applies regardless of whether the derivative materials are sold, bartered or given away.

FIM does not knowingly accept unsolicited submissions including, without limitation, submissions of scripts, story lines, articles, fan fiction, characters, drawings, information, suggestions, ideas or concepts. FIM's policy is to simply delete any such submission without reading it or forwarding it to other FIM staff. Therefore, any similarity between an unsolicited submission and any elements in any FIM creative work including, without limitation, a film, series, story, title or concept would be purely coincidental.

If unsolicited submissions are sent to FIM via this Site, however, these submissions become the property of FIM and may be used, copied, sublicensed, adapted, transmitted, distributed, publicly performed, published, displayed or deleted as FIM sees fit. You agree that you are not entitled to any compensation, credit or notice whatsoever and that by sending an unsolicited submission you waive the right to make any claim against FIM, its parents or affiliates relating to unsolicited submissions, including, without limitation, unfair competition, breach of implied contract or breach of confidentiality.


There's nothing too original about these concepts. Of course the creator/assignee is the owner of the copyright, and it's been standard for Terms of Use to claim all rights and warn against infringement. What's different is the inclusion of wallpapers, icons and link buttons, as well as desktop themes in the things you're prohibited from creating. I highlight desktop themes because I know a number of commentators have argued in articles and notes that such use, if created by someone for him or herself, would fall closer to the Betamax exception - it's more like creating a mix tape and not a public distribution of anything.

I also was amused more than anything else by the mention of fanfiction in the "if you send it to us we own it" section. I know some fans have argued over the years that the "canon creator" owns any fanfiction anyway, but I have also seen arguments to the contrary, especially when the amount of copyrighted content used by the fanficcer or fanartist is almost de minimus, and it's interesting to see FOX cover its arse, and cover its bases, by adding the "we own it" into the adhesion contract that is a ToU - but actually, they are noting that they own it *only if* someone sends it to them. In other words, they're not saying they own it if you write it, post it, share it with your friends but don't send it to the station or FOX itself. Now, technically, that doesn't *mean* 100% they don't own it if you don't share it with them, but it is an argument that if you don't send it to them, they don't own the work that was generated by you.

I know, I'm weird. I love reading Terms of Use - I've been writing them since 1993 or 1994 - and it's fascinating to see how this update's being rolled out to all the FOX local affiliates, and...

Then, I googled the line about fan fiction, and either FOX gacked it from somewhere else, or it's being gacked by other entities, or the same law firm is working for FOX and the Jerusalem Post and the National Council for Economic Development Organizations.

So all of you, please be warned!* Do not send your fanfic to the National Council for Economic Development Organizations! THEY WILL 0WNZ0R U!



* This is not legal advice or a legal-advice-warning. None of this is.
heidi: (legally)
This is probably
Not what Alex wanted, but
It makes lawyers smile.



Discussion topic of the day: Someone posted the images shown here ) to HPfGU-OTChatter, so [livejournal.com profile] praetorianguard, [livejournal.com profile] gwendolyngrace and I started wondering if we could ask the artist to display the little people in the Gallery at Nimbus - 2003 without running afoul of copyright laws. [livejournal.com profile] praetorianguard and I both believe that the parody defenses would apply, as the little people do poke fun at both the merchandising of the HP books and the books themselves.

Then, we started talking about trademark. And LEGOs. And genuine fans engaging in commentary about the books by creating and photographing scenes LEGOs engage in interpersonal contact with other LEGOs, and similar commentary and occasionally satire in the form of recording images of HP action figures, similar to the way the courts have allowed parodies of and commentary about the BARBIE product via photos of the dolls in clothing never produced by Mattel.

So now I'm here, wondering whether it's possible to tarnish the VOLDEMORT mark with such artistic expression, even presuming there was a commercial motive twinned with the artistic expression (such as the sale of a book containing the images).

Lawyers o'the fandom? What sayeth you?
heidi: (Default)
I am of two minds about today's ruling regarding "virtual child porn".

On one hand, I've been very concerned about this case. The statute that was at issue here would've made films where underage people engaged in sexual
relations, like Lolita, Romeo & Juliet, and Traffic illegal, as the Court said today. And if they were illegal, so could a bunch of fanfics I know very well - PG-13 and R rated fics where sexual relations among characters under 18 occured. You probably know the fics I'm talking about - very mainstream ones where teens act like teens. There are fics on FA, ffn, SQ, GT and over a hundred individual sites and Yahoogroups that could've run afoul of this law had it not been overturned.

In sum, the law barred sexually explicit material that "appear(s) to be a minor". A broad reading of the first prong of the test could have applied to stories in textual form, as well as to art and movies.

According to the Supreme Court's ruling today, the Act "prohibits speech having serious redeeming value, proscribing the visual depiction of an idea -- that of teen-agers engaging in sexual activity -- that is a fact of modern society and has been a theme in art and literature for centuries."

The CPPA, however, extends to images that appear to depict a minor engaging in sexually explicit activity without regard to the Miller requirements. The materials need not appeal to the prurient interest. Any depiction of sexually explicit activity, no matter how it is presented, is proscribed. The CPPA applies to a picture in a psychology manual, as well as a movie depicting the horrors of sexual abuse. It is not necessary, moreover, that the image be patently offensive. Pictures of what appear to be 17-year-olds engaging in sexually explicit activity do not in every case contravene community standards.

The CNN piece said that the opinion cited several artistically significant instances in which teen-age sex was portrayed, including William Shakespeare's play "Romeo & Juliet," and the recent movies "Traffic" and "American Beauty." I'm sure every person reading this could add another hundred movies, tv shows, songs and books to the list: Fast Times? Forever? Buffy?

On the other hand, though... overbreath is a bad thing to do when making an important law - and here, the statute was definitely overbroad. But the statute also did prevent Very Bad Things from entering the marketplace - things I don't want to describe, much less be faced with. And I do hope that the legislators find some way to create a similar law that only prohibits things which have no socially or artistically redeeming value - there's got to be a way to create a statute that way. I wonder if they will?



On a related note, the following citations goes on the list which currently has various citations from the Campbell case back in the mid-90s, when Justice Souter wrote text and footnotes that included the phrase "bass riffs."

William Shakespeare created the most famous pair of teenage lovers, one of whom is just 13 years of age. See Romeo and Juliet, act I, sc. 2, l. 9 (She hath not seen the change of fourteen years). In the drama, Shakespeare portrays the relationship as something splendid and innocent, but not juvenile. The work has inspired no less than 40 motion pictures, some of which suggest that the teenagers consummated their relationship. E.g., Romeo and Juliet (B. Luhrmann director, 1996).

Mr Luhrmann! You're a citation! And in proper Blue Book form for it, and the R&J one too! Tabitha, isn't this adorable?
heidi: (Default)
This week, it came to my attention that in February, the Ninth Curcuit Court of Appeals, in Kelly v Arriba Soft Corp., held that under certain circumstances, it was illegal to link from one website to another. The court, not unreasonably, said that Ditto, the directory-site, could not use the fair use exception to justify links to "thumbnail" reproductions of copyrighted images. The court went further, though, and stated that a link to the full-sized image was not permitted if those images were "framed" by the search engine. In other words, while a direct link, like this link to a slightly inaccurate Financial Times article about the case, would be permitted because it would open the article in a new window or at least on a new screen, a link to the image (or an article, or a song) where the image was framed on the page would be a violation of fair use.

To date, various sites in or used by the fandom, including LJs and certain message boards that will remain nameless, have allowed IMG code links which frame pictures, within the context of a post, as avatars, etc. While I still believe that this case does not absolutely bar linking to a full-sized image within a debate, discussion, criticism or for educational purposes, it makes me very uncomfortable about some uses of avatars. Yes, the LOTR people have made pics available for use on websites; the Harry Potter site has done the same. But how should we now enforce linking to pics done by others without their say-so? I did it here, with those Babies pictures - which I am now off to make private until I get affirmative permission. You can presume in a quiz that if you take the code, it's ok, even if a pic is incorporated, but should be responsible if the pic wasn't used with permission in the first place? And what to do about avatars?

Edited to incorporate my thoughts on avatars, and on fanfiction:

I spent lunch rereading the case and the following issues jumped out at me:

The court says that the Ditto use of thumbnails of the full scale images were fair use. The court made this determination because the small change in making the full scale image into a low resolution image was sufficiently transfortmative, and because they served "an entirely different function than" the original image. Not only does this put my mind more at least regarding our avatars, which are either a segment of a larger pic or a low-resolution version of a pic, it is actually excellent caselaw for the presumption that fanfiction is fair use. In other words, if squashing an image makes fair use out of what would otherwise be a copy, then that holding supports an argument that taking a character (or thirty) or a few lines (or paragraphs) from a novel and transforming those lines and/or characters into a fanfic is fair use (for copyright perspective; trademarks are still something else entirely). Certainly, taking a character and putting him or her into an original story is transformative, and this case implies that such transormative action would rise to the standard required for a fair use holding. Fanfiction "serves a different function" than the original work.

The most wonderful thing in the ruling, from a purely conceptual point of view, is that the court found that it was reasonable for Ditto to take the whole of each of the images in light of the way that Ditto used the images. It was necessary for [Ditto] to copy the entire image to allow users to recognize the image and decide whether to pursue more information about the image or the originating web site. The potential impact of that determination on copyright law is staggaring. It also may place a limitation on Napster's holding regarding its database, or on the issue of whether putting a low-quality version of a whole song on a website (where it links to an official site, or a place to purchase the song or album) is a violation of Napster or fair use.
Methinks I like this case, and I want to do more reading about its implications.

Tabs? What say you?

All personal musings...no reflection on my office or FA intended...

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